The rather snarky photo I have chosen for my photo-blog attempts to reflect Pip as he appears at this point in the novel. It is not "Greed" that I am referring to, but the subtitle. Pip views Magwitch as filthy and tainted because of his appearance, ignoring his enormous generosity in granting Pip his fortune. He worships Estella because she is the epitome of the upper-class woman, even with her lack of a personality, ignoring Biddy because she is not elegant enough for him. Pip almost criminally neglects Joe, not wishing to associate himself with a "common" man, and in the process damages his friendship with the kind and gentle man.
Pip, if he continues on his current course, is likely to end up like the mummy in the coffin, surrounded by riches but having made no true impact on the world by valuing appearances over reality.
Saturday, March 26, 2011
Saturday, March 19, 2011
Great Expectations Connections

Outwardly, the two novels are quite different. Bartimaeus was written a few years ago, taking place in a sardonic, fantasy world where the British Empire is run by a large number of paranoid magicians, lacking the ability to do anything the commoners think of as magic but one: they summon spirits to do their work. Tired, I know. But what makes the story interesting is that it is told simultaneously from the perspective of a long-suffering spirit known as Bartimaeus (hence the title) and the upstart apprentice who has summoned him known as Nathaniel. To be more specific, Nathaniel, circa the second book in the trilogy, is the character I am relating Pip to.
Like Pip, Nathaniel has come into a large amount of money at a fairly early age. Nathaniel has earned his money through serving the rather corrupt government, whereas Pip has gotten his seemingly randomly, but they are similar in the fact that although they are rich, they have little experience with others.
A striking parallel to me was the scene where Pip thinks of how to offer Herbert money in order to repair the damages that he has inflicted on Herbert's formerly idyllic life; a nearly identical scene appears in the Bartimaeus books where Nathaniel, upon encountering his former art tutor, cannot fathom why she is saddened by his offer of wealth and prestige in the government. This theme is strongly present in both books, that money gained rather than earned through experience does not supply wisdom.
Another motif that appears in both novels is the nature of the cities. Nathaniel's London, like Pip's, is a strange and pretentious place. Pip remarks on how the purpose of the Finches seems to be not to enjoy, but to give the appearance of pleasure. Likewise, Nathaniel lives in a world of false smiles, where no one quite means what they say.
Saturday, March 12, 2011
Great Expectations: Stage II
In Stage II of Great Expectations, Pip once again meets the pale young gentleman he met back in Stage I, whose name, it turns out, is Herbert Pocket, the son of the man to teach Pip. From Herbert, Pip learns manners and makes a friend his own age for the first time. The two room together, and Pip learns of Ms. Havisham's past mishaps with men, which may explain her bizarre urgings for her ward Estella to "break his heart."
This relates to several motifs established earlier in the novel. To begin with, it is a massive coincidence that Pip's roommate just happens to be the same pale young gentleman who he boxed earlier in the novel. Herbert also, by teaching Pip manners, assists in his goal of becoming a true gentleman. In some relation to that, Pip seems to have become less uptight and rude after his time with Herbert, contrasting with the motif of money corrupting Pip in the first stage. And finally, the mystery surrounding Ms. Havisham and Estella, another major motif from the first stage, has been cleared up somewhat, revealing even more wrinkles to the story.
This relates to several motifs established earlier in the novel. To begin with, it is a massive coincidence that Pip's roommate just happens to be the same pale young gentleman who he boxed earlier in the novel. Herbert also, by teaching Pip manners, assists in his goal of becoming a true gentleman. In some relation to that, Pip seems to have become less uptight and rude after his time with Herbert, contrasting with the motif of money corrupting Pip in the first stage. And finally, the mystery surrounding Ms. Havisham and Estella, another major motif from the first stage, has been cleared up somewhat, revealing even more wrinkles to the story.
Friday, March 4, 2011
Pip's Turning Point
When Pip, in hindsight, sees and points out to the reader the long chain of events beginning on that fateful day, he seems to be setting a point of reference for the reader, allowing Dickens to make him relatable to the reader. Pip's introduction to Miss Havisham, Estella, and the unfamiliar high-class lifestyle, in addition to his lying to Joe and starting to break away from his home, has so shaped his future that it deserves a step back to reflect. After this day, Pip begins to look down upon Joe and his old life, going so far as to resent his apprenticeship, and looks more towards Miss Havisham and Estella for how he should be, creating a motif within the novel of Pip's attempts to "become a gentleman."
It's difficult to look back and try and pick out one particular moment that has lead to something today. Usually, it has been a combination of causes that starts a chain of events. Still, in an effort to avoid being preachy, I shall try and pinpoint the event that caused me to become a Beatles fan. In seventh grade, my conductor in Orchestra decided we ought to play a more popular song to try and outdo the band in an assembly for once. She chose "Eleanor Rigby," and as I heard it, I was hooked. I listened to the song on YouTube, eventually getting more music from my friend, and constantly marveling at the quality of it all. This chain of events has lead to my taking the piano and violin a bit more seriously, and to my efforts to arrange pieces for the piano and even write my own.
It's difficult to look back and try and pick out one particular moment that has lead to something today. Usually, it has been a combination of causes that starts a chain of events. Still, in an effort to avoid being preachy, I shall try and pinpoint the event that caused me to become a Beatles fan. In seventh grade, my conductor in Orchestra decided we ought to play a more popular song to try and outdo the band in an assembly for once. She chose "Eleanor Rigby," and as I heard it, I was hooked. I listened to the song on YouTube, eventually getting more music from my friend, and constantly marveling at the quality of it all. This chain of events has lead to my taking the piano and violin a bit more seriously, and to my efforts to arrange pieces for the piano and even write my own.